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A bibliography of Literary Theory, Criticism and Philology

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A Bibliography of Literary Theory, Criticism and Philology

by José Ángel García Landa

(University of Zaragoza, Spain)

Aesthetic Criticism in English, 1950s-2000s: Other critics (H-O)

Haber, Judith. (Tufts U, Massachusetts). Pastoral and the Poetics of Self-Contradiction: Theocritus to Marvell. Cambridge: Cambridge UP, 1995.

Haidu, P. Aesthetic Distance in Chrétien de Troyes: Irony and Comedy in Cligès and Perceval. Geneva: Droz, 1968.

_____. "Au début du roman, l'ironie." Poétique 36 (1978): 443-66.

Haidu, Peter. "The Dialectics of Unspeakability: Language, Silence, and the Narratives of Desubjectification." In Probing the Limits of Representation: Nazism and the "Final Solution". Ed. Saul Friedlander. Cambridge (MA): Harvard UP, 1992. 277-99. (On Himmler).

Hale, John K. "Journey and Siege Plots in Shakespeare's Comedies, Especially The Tempest." Cuadernos de Literatura Inglesa y Norteamericana 1.1 (1996): 23-28.*

_____. Milton's Languages: The Impact of Multilingualism on Style. Cambridge: Cambridge UP, c. 1997.*

Halpern, Daniel, Norman Thomas di Giovanni, and Frank MacShane, eds. Borges on Writing. New York: E. P. Dutton, 1973.

Halter, Peter. The Revolution in the Visual Arts and the Poetry of William Carlos Williams. (Cambridge Studies in American Literature and Culture, 76). Cambridge: Cambridge UP, 1994.

Halter, Peter, and Walter Naef, eds. Measure for Measure.. (Deutsche Shakespeare-Gesellschaft Englisch-deutsche Studienausgabe der dramen Shakespeares). 1977.

Hamilton, David. "Flow Chart, An Introduction." (J. Ashbery). Revista de Estudios Norteamericanos (U of Sevilla) 4 (1995): 53-64.*

Hammer, Stephanie. (U of California, Riverside). "Camouflage and Sabotage: Satiric Maneuvers in the Fantastic Fiction of the German Democratic Republic." In Styles of Creation: Aesthetic Technique and the Creation of Fictional Worlds. Ed. George Slusser and Eric S. Rabkin. Athens (GA): U of Georgia P, 1992. 143-52.*

Hapgood, E. R., trans. Building a Character. By Konstantin Stanislavsky. New York: Theatre Art Books, 1949.

Harcourt, Peter. Six European Directors. London, 1974.

Harges, Mary C. "Language and Illusion in Rosa Montero." Romance Notes 39.2 (1999).

Hargrove, Nancy D. "T. S. Eliot and the Dance." Journal of Modern Literature 21.1 (Summer 1997): 61-89.*

Harman, Graham. "Greenberg, Heidegger, McLuhan, and the Arts." Lecture at Pacific Northwest College of Arts (Oregon), 22 Jan. 2013. YouTube (Brad Younger) 28 Nov. 2013. ("Graham Harman on Heidegger and the Arts").*


Harris, Oliver. "A Response to John Watters, 'The Control Machine: Myth in The Soft Machine of W. S. Burroughs." Connotations 6.3 (1996/97): 337-53.*

Harrison, Thomas. Essayism: Conrad, Musil and Pirandello. Baltimore: Johns Hopkins UP, 1992.

Hawkins, Sherman H. "The Two Worlds of Shakespearean Comedy." 1967. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 47-66.*

_____. "Virtue and Kingship in Shakespeare's Henry IV." English Literary Renaissance 5 (1975): 313-43.

_____. "Falstaff as Mom." Talk at the Special Session on marriage and the Family in Shakespeare, MLA, Chicago 30 Dec. 1977.

_____. "The Structural Problem of Henry IV." Shakespeare Quarterly 33.3 (Autumn 1982).

Hazzard, S., E. Janeway, J. Cheever, and H. M. Petrakis. "Is the Short Story Necessary?" In Short Story Theories. Ed.Charles E. May. Athens (OH), 1976.

Haynes, Jonathan. From "Festivity and the Dramatic Economy of Jonson's Bartholomew Fair." ELH (Winter 1984): 645-57. Rpt. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986. 1520-24.*

_____. The Social Relations of Jonson's Theatre. 1992.

Hayward, Albert W. Rev. of L. B. Cebik's Fictional Narrative and Truth: An Epistemic Analysis. Journal of Aesthetics and Art Criticism 45 (Winter 1986): 205-9.

Heathcote, Dorothy, and Gavin Bolton. Drama for Learning: Dorothy Heathcote's Mantle of the Expert Approach to Education. Portsmouth (NH): Heinemann, 1995.

Hecht, Anthony. See English authors.

Heffernan, James A. W. "The English Romantic Perception of Color." In Images of Romanticism: Verbal and Visual Affinities. Ed. Karl Kroebert and William Walling. New Haven and London, 1978.

_____. "Adonais: Shelley's Consumption of Keats." 1984. In Romanticism: A Critical Reader. Ed. Duncan Wu. Oxford: Blackwell, 1995. 173-91.*

Heller, Terry. Rev. of Critical Understanding. By Wayne Booth. Arizona Quarterly

_____. The Delights of Terror. Urbana: U of Illinois P, 1987.*

Helmer, Judith, and Florian Malzacher, eds. Not Even a Game Anymore: The Theatre of Forced Entertainment. Berlin: Alexander Verlag, 2004.

Hertz, Richard, ed. Theories of Contemporary Art. Englewood Cliffs, NJ: Prentice Hall, 1985.

Hesse, Eva, ed. New Approaches to Ezra Pound: a Co-ordinated Investigation of Pound's Poetry and Ideas. London: Faber and Faber.

Hetherington, Robert A. "The Lears of Peter Brook." Shakespeare on Film Newsletter 6.1 (1982).

Heydari, Mélanie. "'A Magical Translation': 'Recycling' in Vikram Seth’s An Equal Music." In The Déjà-vu and the Authentic: Reprise, Recycling, Recuperating in Anglophone Literature and Culture. Ed. J. J. Chardin. Newcastle: Cambridge Scholars, 2012. 81-91.

Higham, Charles. The Films of Orson Welles. Berkeley (CA), 1970.

Higgins, George V. On Writing: Advice for those who write to publish (or would like to). London: Bloomsbury, 1991.

Hill, Carl.  The Soul of Wit: Joke Theory from Grimm to Freud.  Lincoln: University of Nebraska Press, 1993. 

Hill, J. "Film and Postmodernism." In The Oxford Guide to Film Studies. Oxford: Oxford UP, 1998. 96-105.

Hill, K. C. Interpreting Literature: History, Drama, Fiction, Philosophy, Rhetoric. Chicago: U of Chicago P, 1975.

Hinchcliffe, Arnold P. (U of Manchester). "Belinda in Arnerica". Studi Americani 6 (1960): 339-47. (Nabokov).

_____. The Absurd. London: Methuen, 1969.

_____. John Osborne. Boston: Twayne, 1984.

_____, ed. Drama Criticism: Developments since Ibsen. (Casebooks series). Basingstoke: Macmillan, 1979.

_____, ed. T. S. Eliot: Plays. (Casebooks series). Basingstoke: Macmillan, 1985.

Hinchcliffe, Arnold P., and C. B. Cox, eds. T. S. Eliot: The Waste Land. (Casebooks series). Basingstoke: Macmillan, 1968.

Hinton, Dave. "Jurassic Park and the Generic Paradox in Science Fiction Film." In Impossibility Fiction. Ed. Derek Littlewood and Peter Stockwell. Amsterdam: Rodopi, 1996. 177-90.*

Hobson, Harold. (Drama critic of The Sunday Times to 1977). French Theatre.

_____. Ralph Richardson.

_____. "Divided Devotion." Rev. of The Freedom of the City. By Brian Friel. Sunday Times 4 March 1973.

Hochman, Baruch. (Hebrew U, Jerusalem) Character in Literature. Ithaca: Cornell UP, 1985.*

Hogarth, Basil. How to Write Plays.

Holland, Jeanne. "Scraps, Stamps, and Cutouts." In Cultural Artifacts and the Production of Meaning. Ed. Katherine O'Brien O'Keefe and Margaret J. M. Ezell. Princeton: Princeton UP, 1993.

Hollander, John. See English authors.

Holly, Granty I. (Hobart and William Smith Colleges). "The Ruins of Allegory and the Allegory of Ruins." In Postmodernism Across the Ages. Ed. Bill Readings and Bennet Schaber. Syracuse (NY): Syracuse UP, 1993. 188-215.*

Holly, Michael Ann. "Past Looking." In Vision and Textuality. Ed. Stephen Melville and Bill Readings. Houndmills: Macmillan, 1995. 67-89.*

Holzknecht, Karl. "The Dramatic Structure of The Changeling." In Renaissance Papers. Ed. A. H. Gilbert. Columbia (SC): U of South Carolina P, 1954.

Homan, Sidney. (Professor of English at the University of Florida and Visiting Professor at Jilin University in the People's Republic of China). Shakespeare's theatre of Presence: Language, Spectacle and the Audience. 1986. (Henry V, Ch. 7).

Homan, Sydney R. "A Cinema for Shakespeare." Literature Film Quarterly 4.2 (1976): 176-86.

_____. "Criticism for the Filmed Shakespeare." Literature Film Quarterly 5.4 (1977): 282-90.

Homan, Sidney, Norman N. Holland, and Bernard J. Paris, eds. Shakespeare's Personality. U of California P, 1990.

_____, eds. Shakespeare's Personality. 2007.


Hoover, Paul, ed. Postmodern American Poetry. New York: Norton, 1994.

_____, ed. Postmodern American Poetry: A Norton Anthology. 2nd ed. New York: Norton, 2013.

Hope, Alec Derwent. (1907-2000; major Australian poet).

_____. (A. D. Hope). "Anne Killigrew or the Art of Modulating." Southern Review 1 (Adelaide, 1963): 4-14.

Horstmann, Rosemary. Writing for Radio. London: Black.

Houston, J. P. "Temporal Patterns in A la Recherche du Temps Perdu." French Studies 16 (1962): 33-44.

Howell, Yvonne. "Science and Gnosticism in 'Lance'." In A Small Alpine Form: Studies in Nabokov's Short Fiction. Ed. Charles Nicol and Gennady Barabtarlo. New York: Garland, 1993. 181-92.

Hubert, Renée Riese. (U of California, Irvine). "The Paradox of Silence: Samuel Beckett's Plays." Mundus Artium 2 (Summer 1969): 82-90. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 237-45.*

_____. "From an Abandoned Work: The Encounter of Samuel Beckett and Max Ernst." In Beckett Translating / Translating Beckett. Ed. Alan Warren Friedman, Charles Rossman, and Dina Sherzer.University Park: Pennsylvania State UP, 1987. 199-211.*

Hubert, Renée Riese, and Judd D. Hubert, trans. The Adventures of Telemachus. By Louis Aragon. Lincoln: U of Nebraska P, 1982.

Hughes, George. Reading Novels. Nashville (TN): Vanderbilt UP, 2002.

Hughes, Ted, ed. Sylvia Plath: Collected Poems. London: Faber, 1981.

Hunt, Albert. Hopes for Great Happenings: Alternatives in Education and Theatre. London: Eyre Methuen, 1976.

_____. Arden: A Study of His Plays. Eyre Methuen, 1974.

Hurtgen, Charles L. "Film Adaptation of Shakespeare's Plays." Ph.D. diss, U of California, 1962.

_____. "The Operatic Character of Background Music in Film Adaptations of Shakespeare." Shakespeare Quarterly 20 (1969): 53-64.

Huston, J. Dennis. Shakespeare's Comedies of Play. New York: Columbia UP, 1981.

Hutchins, Michael. "Intent to Mislead: W. G. Sebald's Notion of Authenticity." In Authentisches Erzählen: Produktion, Narration, Rezeption. Ed. Antonius Weixler. Berlin and Boston: De Gruyter, 2012. 79-93.*

Schlegel's Poetic Irony." Germanic Review 26 (1951): 773-91.

Immerwahr, Henry R. "XIII. Historiografía – (1) Heródoto. (2) Tucídides. (3) Elementos comunes de la historiografía del siglo V." In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 465-97.*

Indiana, Gary. "The Problem of Form." Critical Quaterly 37.4 (1995): 17-19.*

_____. "California v. Martinez (from Resentment, a comedy)." Critical Quaterly 37.4 (1995): 20-26.*

Ingram, Forrest. Representative Short Story Cycles of the Twentieth Century: Studies in a Literary Genre. The Hague: Mouton, 1971.

_____."The Dynamics of the Short Story Cycles" Northwest Ohio Quarterly (1979).

Ivask, Ivar, and Lowell Dunham, eds. The Cardinal Points of Borges. Norman: U of Oklahoma P, 1971.

Jackson, Kevin. "Portrait of an Artist." Rev. of Gods and Monsters, dir. Bill Condon. Sight and Sound 9.4 (April 1999): 34-5.*

_____. Invisible Forms: A Guide to Literary Curiosities. London: Picador, c. 2000.

Jacobs, Karen, and Laurence Petit, ed. and trans. Poetics of the Iconotext. By Liliane Louvel. Ashgate, 2010.

Jacobs, Lea (U of Wisconsin-Madison), and Benjamin Brewster. Theatre to Cinema: Stage Pictorialism and the Early Feature Film. Oxford: Clarendon Press, 1997.

Jacobs, Lewis, ed. Introduction to the Art of the Movies. New York, 1960.

Janis, Sidney. Abstract and Surrealist Art in the United States. San Francisco: San Francisco Museum of Modern Art, 1944.

Jarrell, Donna. "The Challenge of the 'June Recital': Generic Considerations in the Structure of The Golden Apples." In Postmodern Approaches to the Short Story. Ed. Farhat Iftekharrudin et al. Westport (CT) and London: Praeger, 2003.

Jaunch, Katharina. Social Role and Double Life in Oscar Wilde's The Importance of Being Earnest. E-book.


Jay, Paul. Being in the Text: Self-Representation from Wordsworth to Barthes. Ithaca: Cornell UP, 1984.

_____. "Posing: Autobiography and the Subject of Photography." In Autobiography and Postmodernism. Ed. Kathleen Ashley, Leigh Gilmore and Gerald Peters. Amherst: U of Massachusetts P, 1994. 191-211.*

Jay, Paul, ed. The Selected Correspondence of Kenneth Burke and Malcolm Cowley, 1915-1981. 1988. Berkeley and Los Angeles: U of California P, 1990.

Jeffers, Alison. "Refugee Perspectives: The Practice and Ethics of Verbatim Theatre and Refugee Stories." Platform 1.1 (2006): 1-17.

Jencks, C. Culture. London: Routledge, 1993.

Jencks, Charles A. Late-Modern Architecture and Other Essays. London: Academy, 1980.

_____. The Language of Post-Modern Architecture. 4th ed. London: Academy Editions; New York: Rizzoli, 1984.

_____. "The Death of Modern Architecture." In From Modernism to Postmodernism: An Anthology. Ed. Lawrence E. Cahoone. Oxford: Blackwell, 1996. 469-70.*

_____. What Is Postmodernism? London: Academy Editions; New York: St Martin's, 1986.

_____. From What Is Post-Modernism? In From Modernism to Postmodernism: An Anthology. Ed. Lawrence E. Cahoone. Oxford: Blackwell, 1996. 471-80.*

_____. "What Is Post-Modernism?" In The Fontana Postmodernism Reader. Ed. W. T. Anderson. London: HarperCollins-Fontana, 1996. 26-30.*

Jensen, Meg. "Separated by a Common Language: The (Differing) Discourses of Life Writing in Theory and Practice." a/b: Auto/Biography Studies 24.2 (2010).

Jensen, Meg, and Margaretta Jolly, eds. Bear Witness: Life Narratives and Human Rights. U of Wisconsin P, 2014.

John, Eileen (U of Louisville) and Dominic McIver Lopes. Philosophy of Literature: Contemporary and Classical Essays: An Anthology. Oxford: Blackwell, 2004.

Johnson, B. S. See English authors.

Johnson, Carol. "Nabokov's Ada: Word's End." Art International 13.8 (1969): 42-43.

Johnson, Claudia D. The Productive Tension of Hawthorne's Art. University (AL): U of Alabama P, 1981.

Johnson, D. "Nabokov's Ada and Pushkin's Eugene Onegin." Slavic and East European Journal 15.3 (Madison, 1971): 316-23.

Johnson, D[onald]. Barton. "Contrastive Phonetics or Why Nabokov Gave Up Translating Poetry as Poetry." In A Book of Things about Vladimir Nabokov. Ann Arbor: Ardis, 1979.

_____. "A Guide to Nabokov's 'A Guide to Berlin'." Slavic and East European Journal 23 (1979): 353-361.

_____. "Nabokov as a Man of Letters: The Alphabetic Motif in his Work." Modern Fiction Studies 25 (1979): 397-412.

_____. "Vladimir Nabokov' "Solus Rex" and the "Ultima Thule" Theme." Slavic Review 40.4 (1981): 543-556.

_____ . "The Key to Nabokov's Gift." Canadian American Slavic Studies. 16.2 (1982): 190-206.

_____. Worlds in Regression: Some Novels of Vladimir Nabokov. Ann Arbor: Ardis, 1985.

_____. In Canadian-American Slavic Studies. Nabokov Issue, 1985.

_____. "Preliminary Notes on Nabokov's Russian Poetry: A Chronological and Thematic Sketch." Russian Literature Triquaterly 24 (1990): 307-327.

_____. In Russian Literature Triquaterly; Nabokov Issue, 1991.

_____. "'Terror': Pre-texts and Post-texts" In A Small Alpine Form: Studies in Nabokov's Short Fiction. Ed. C. Nicol and G. Barabtarlo. 1993. 39-64.

_____. "The Eye." In The Garland Companion to Vladimir Nabokov. Ed. Vladimir Alexandrov. New York: Garland, 1995. 130-35.*

_____. "Look at the Harlequins!" In The Garland Companion to Vladimir Nabokov. Ed. Vladimir Alexandrov. New York: Garland, 1995. 330-40.*

_____. "Transparent Things." In The Garland Companion to Vladimir Nabokov. Ed. Vladimir Alexandrov. New York: Garland, 1995. 725-33.*

Johnson, D. Barton, and Ellendea Proffer "Interview with Nabokov and Dmitri Nabokov." Russian Literature TriQuaterly. 24 (1991): 73-85.

Johnson, Ian. "Merely Players." In Focus on Shakespearean Films. Ed. Charles W. Eckert. Englewood Cliffs (NJ), 1972.

Johnson, Ian, Sabine Hotho, Sabine, Mary Orr, Gustavo San Román, eds. Forum for Modern Language Studies. Quarterly journal. Oxford: Oxford UP.

Johnson, Ian, and Alastair Minnis, eds. The Middle Ages. Vol. 2 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 2002.

Johnson, Ian, et al., eds. The Cambridge History of Literary Criticism. 9 vols: Volume 1: Classical Criticism, Ed. George Alexander Kennedy (1993); Volume 2: The Middle Ages, ed. Alastair Minnis and Ian Johnson (forthcoming 2002); Volume 3: The Renaissance, ed. Glyn Norton (1999); Volume 4: The Eighteenth Century; ed. H. B. Nisbet and Claude Rawson (1997); Volume 5: Romanticism, ed. Marshall Brown (2000); Volume 6: The Nineteenth Century (forthcoming 2006); Volume 7: Modernism and the New Criticism, ed. A. Walton Litz, Louis Menand and Lawrence Rainey (2000); Volume 8: From Formalism to Poststructuralism, ed. Raman Selden (1995); Volume 9: Twentieth-Century Historical, Philosophical and Psychological Perspectives, ed. Christa Knellwolf and Christopher Norris (2001). Cambridge: Cambridge UP.

Johnson, J. Theodore, Jr. "Proust and Giotto: Foundations of an Allegorical Interpretation of A la recherche du temps perdu." In Marcel Proust: A Critical Panorama. Urbana (IL), 1973.

Johnson, Jennifer Anne. (U of Málaga). "Soothsaying Song Thrushes and Life-Giving Snails: Motifs in A. S. Byatt's Babel Tower and A Whistling Woman." Journal of English Studies 8 (2010): 57-71.*

_____. "Beyond Belief: The Crisis of Faith in A. S. Byatt's Fiction." Journal of English Studies 10 (2012):  81-104.*

Johnson, L. M. Wordsworth's Metaphysical Verse. 1972.

_____. Wordsworth and the Sonnet. 1973.

Johnson, Lee M. (U of British Columbia) "Milton's Epic Style: The Invocations in Paradise Lost." In The Cambridge Companion to Milton. Ed. Dennis Danielson Cambridge UP, 1989. 65-78.*

Joliff, William. "Redeeming the Serpentine Subtext: Dennis Covington's Appropriation of Hemingway's The Sun Also Rises in Salvation on Sand Mountain." Hemingway Review 30.2 (Spring 2011): 73-87.*

Jones, Daryl (Trinity College Dublin), and Stephen Matterson. Studying Poetry. London: Arnold, 2000.

Jones, Darryl. Foreword to J.R.R. Tolkien: the Forest and the City. Ed. Helen Conrad-O'Briain and Gerard Hynes. Dublin: Four Courts Press, 2013.* (Introd., 13-18).

Jones, David L. "Dolores Disparue." Symposium 20 (1966): 135-40.

Jones, G. P. "Henry V: The Chorus and the Audience." Shakespeare Survey 31 (1978): 93-104.

Jones, Katharine. "Getting Rid of Children's Literature." The Lion and the Unicorn 30.3 (Sept. 2006): 287-315.

Jones, Mark. "J. G. Ballard: Neurographer." In Impossibility Fiction. Ed. Derek Littlewood and Peter Stockwell. Amsterdam: Rodopi, 1996. 127-46.*

Jones, Robert B. "Mimesis and Metafiction in Hemingway's The Garden of Eden." In Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Ed. Suzanne del Gizzo and Frederic J. Svoboda. Kent (OH): Kent State UP, 2012. 77-93.*

Jordan, Francis X., and Stephen Whittaker. "The Three Whistles and the Aesthetic of Mediation: Modern Physics and Platonic Metaphysics in Joyce's Ulysses." James Joyce Quarterly 33.1 (Fall 1996): 27-48.*

Jorgens, Jack J. (Professor of English, American U, Washington). "Image and Meaning in the Kozintsev Hamlet." Literature Film Quarterly 1.4 (1973): 307-15.

_____. "The Opening Scene of Polanski's Macbeth." Literature Film Quarterly 3.4 (1975): 277-8.

_____. "The Cinematic Bard." The Washingtonian (May 1976): 272-7.

_____. Shakespeare on Film. Bloomington (IN): Indiana UP, 1977.*

_____. "The BBC-TV Shakespeare." Shakespeare Quarterly 30 (1979): 411-15.

_____. "Realising Shakespeare on Film." In Shakespeare on Film. Ed. Robert Shaughnessy. Houndmills: Macmillan, 1998. 18-42.*

Jorgenson, Paul A. "Castellani's Romeo and Juliet: Intention and Response." Film Quarterly 10.1 (1955): 1-10.

_____. "Castellani's Romeo and Juliet: Intention and Response." Rpt. in Focus on Shakespearean Films. Ed. Charles W. Eckert. Englewood Cliffs (NJ): Prentice Hall, 1972.

Josipovici, Gabriel. See English authors.

Jowitt, Deborah, ed. Meredith Monk. [Performance artist]. Baltimore: Johns Hopkins UP, 1997.

Jute, André. Writing a Thriller. London: Black.

Kaplan, Donald M., et al. La cavidad teatral. (Cuadernos Anagrama, 53). Barcelona: Anagrama.

Kane, Daniel. "The Vertue of Spectacle in Shakespeare's Titus Andronicus." Connotations 10.1 (2000/01): 1-17.

_____. All Poets Welcome: The Lower East Side Poetry Scene in the 1960s. Reviewed in BELL ns 2 (2004).

Karlinsky, Simon. See English historical scholarship 1950-.

Katz, Steven B. The Epistemic Music of Rhetoric: Toward the Temporal Dimension of Affect in Reader Response and Writing. Carbondale: Southern Illinois UP, 1996.

Kaufman, Scott Eric. "Superior Adaptations of Inferior Novels (Harry Potter and the Half-blood Prince)." The Valve 18 July 2009.* (Dir. David Yates).


Kay, Carol McGinnis. "Deception through Words: A Reading of The Spanish Tragedy." Studies in Philology 74 (1977): 20-38.

_____. (Carol Kay). "A Sentimental Journey: Purposeful Play." In The English Novel: vol. 2. Smollett to Austen. Ed. Richard Kroll. Harlow: Addison Wesley Longman, 1998. 173-88.*

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